-
Hilton Kramer, The New York Times, December 14, 1979
John Ittner, The New York Post,, December 14, 1979
John Russell, The New York Times, July 19, 1981
Sam Hunter, New Directions, 1981, Museum of Art, Ft Lauderdale (catalog)
Robert C. Morgan, ‘Abstract Painting, the New Pictorialism’, New Directions, 1981, Museum of Art, Ft Lauderdale (catalog)
Daniel Grant, Newsday, February 28, 1982 (photo)
Vivian Raynor, The New York Times, October 10, 1982
Jan Tips, San Antonio Express News, May 1, 1983William Zimmer, Catherine Lee, University of Texas, 1983 (catalog)
John Russell,The New York Times, May 11, 1984
David Carrier, ‘Catherine Lee’, Arts Magazine, Summer 1984
‘Contemporary Abstract Painting’, Center for the Arts, Muhlenberg College, 1983 (catalog)
Vivian Raynor, The New York Times, July 26, 1985 ‘Centennial Exhibition’, MCAD, Minneapolis Institute of Art, 1985 (catalog)
Steven Reynolds, Texans Past and Present, University of Texas, 1986 (catalog)
John Russell, The New York Times, May 2, 1986
John Russell, ‘Bright Young Talents’, The New York Times, May 18, 1986
Kay Larson, New York Magazine, May 19, 1986
Susan Fisher, New Art Examiner, June 1986
Tiffany Bell, Arts Magazine, Summer, 1986
Dan Cameron, ‘Report from the Front’, Arts Magazine, Summer 1986 (photo)
David Carrier, Art in America, October 1986
‘Art on Paper’, Weatherspoon Art Gallery, University of North Carolina, 1986 (catalog) ‘Catherine Lee’, John Davis Gallery, 1986 (catalog)
John Russell, The New York Times, April 17, 1987
Barry Schwabsky, Arts Magazine, Summer 1987
Josef Woodward,Santa Barbara News Press, August 29, 1987
John Caldwell, Ten Americans, Carnegie Museum of Art, 1987 (catalog)
Bill Holmsak, Tribune Review, Greensburg, PA, February 14, 1988
Paricia Lowry, The Pittsburgh Press, February 23, 1988
Phyllis Plous, ‘Monotypes Today’, Collaborations in Monotype, University Art Museum, University of California, Santa Barbara, CA, 1988 (catalog)
Cathy Curtis, The Los Angeles Times, July 1, 1988
Susan Tallman, ‘The Woodcut in the Age of Mechanical Reproduction’, Arts Magazine, January 1989
Stephen Westfall, ‘Catherine Lee’, Annely Juda Fine Art, 1989 (catalog)
William Packer, The Financial Times, London, March 21, 1989
Mary Rose Beaumont, Arts Review, March 24, 1989
William Feaver, The Observer, London, April 12, 1989Pamela Auchincloss, ‘Geometry and Abstraction’, Persons/Lindell Gallery, Helsinki, 1989 (catalog)
Christine Temlin, The Boston Globe, July 27, 1989
Timo Valjafka, Helsingin Sanomat, Helsinki, December 6, 1989
Dan Sundell, Hufvudstadsbladet, Helsinki, December 11, 1989
Susan Tallman, ‘Contemporary Woodblock Prints’, Jersey City Museum, NJ, 1989 (catalog)
‘XX Century Sculptures’, Galerie Academia, Salzburg, 1990 (catalog)
Peggy Cyphers, Arts Magazine, March 1990
Frances de Vuono, Art News, May 1990
Walter Thompson, Art in America, June 1990
David Carrier, Art International, Summer 1990
Geraldine Norman, The Independent, London, September 24, 1990
‘Height Width Length’, Weatherspoon Art Gallery, University of North Carolina, 1991 (catalog)
‘IIIème Biennale de Sculpture’, Monte Carlo, 1991 (catalog)
Anne Rüegsegger, ‘Catherine Lee’, Artis, May 1991
‘Art for Children’s Survival’, Unicef, 1991 (catalog)
‘Kanpo’, Tokyo, November 1991 (cover illustration)
Petra Kipphof, Journal, January 1992
Robert C. Morgan, ‘The New Endgame’, Tema Celeste, February 1992
Demetrio Paparoni, ‘A Conversation with Catherine Lee’, Tema Celeste, February 1992, English edition
Demetrio Paparoni, ‘Conversazione con Catherine Lee’, Autumno 1992, Tema Celeste, Italian edition
David Carrier, ‘The Life of Forms in Catherine Lee’s Art’, Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich 1992 (catalog)
Helmut Friedel, ‘Catherine Lee’,Outcasts, New Works by Catherine Lee, Städtische Galerie im Lenbachhaus, Munich, 1992 (catalog)
Claudia Jaeckel, ‘Die Freiheit des Geistes’, Süddeutsche Zeitung, Munich, also Ebersberg, Starnberg, Bad Tölz, May 26, 1992
Barbara Reitter, ‘Catherine Lee im Lenbachhaus’, Donau-Kurier, May 22, 1992
Gert Gliewe, ‘Catherine Lee im Lenbachhaus’, Abendzeitung, München, June 2,1992
Alexander Hosch, ‘Archaische Mittel, Postmoderne Kunst’, June 6, 1992, appeared in:
Rottaler Anzeiger,
Grafenauer Anzeiger,Alt-Neuöttinger Anzeiger,
Deggendorfer Zeitung,
Bayerwald-Bote Regen,
Passauer Neue Presse
Barbara Reitter, ‘Mit Sauer und Feuer’, Bayerische Staatszeitung, München, June 12, 1992
Joachim Goetz, ‘Der Bildgrund und die Oberfläche’, Trostberger Tagblatt, June 19, 1992
Maribel Koniger, ‘Catherine Lee’, Tema Celeste, Autumn 1992
Catherine Lee, ‘The Question of Gender in Art’, Tema Celeste, Autumn 1992
Torben Weirup, ‘En Amerikaner i København’, Berlingske Tidende, November 22, 1992
Oystein Hjort, ‘Forfinet Forhold til Farven’ Politiken, København, December 8, 1992
Peter Klimitsch, ‘Austellung, Catherine Lee’, Kurier, Linz, Austria, December 3, 1992
Peter Moseneder, ‘Ausgestossen’, Nachrichten, Linz, December 4, 1992
Jacqueline Brody, The Print Collector’s Newsletter, July/August 1992
Catherine Lee, Galerie Academia, Salzburg 1992 (catalog)
Sister Wendy Beckett, Art and the Sacred, 1992, Random Century, Sydney, Australia
Gerhard Finckh, Geteilte Bilder - Das Diptychon in der neuen Kunst, Museum Folkwang, Essen, 1992 (catalog)
Elio Cappuccio, ‘Verso Bisanzio, Con Disincanto’, Sergio Tossi Arte Contemporanea, Prato, Italy, 1992 (catalog)
David Carrier, ‘La vita delle forme nell’arte di Catherine Lee’, Titolo, Perugia, Autumn 1992
Catherine Lee, pub. Annely Juda Fine Art, London 1993 (catalog)
William Feaver, ‘Catherine Lee’, The Sunday Observer, London, March 21,1993
Gill Saunders, ‘Sculpture with it’s Back to the Wall’, Women’s Art Magazine, London, May 1993
Enrique Juncosa, ‘Catherine Lee’, Lapiz, Madrid, May 1993
Catherine Lee, pub. Galerie Academia, Salzburg, Austria, 1993 (catalog)
Hoevy Brock, ‘Catherine Lee’, Art News, New York, summer 1993
‘Catherine Lee’, The Print Collector’s Newsletter, July/Aug 1993
Danile Kurjakovic, ‘Frischer Wind von Westen’, Zürichsee-Zeitung, September 11, 1993
Demetrio Paparoni, ‘The Self-Regulation of the System’, Italia-America,
‘Partners’, pub. Annely Juda Fine Art, London 1993 (catalog)
David Carrier, ‘Italia-America’, Segno, Pescara, Italy, summer 1993
Arturo Schwartz, ‘Una Mostra da Non Perdere’, Segno, summer 1993
Angelo Trimarco, ‘Italia-America’, Tema Celeste, autumn 1993
Hans W. Langwallner, ‘Ex Nihilo. Day and Night’, Nike, München, August 1993‘Prints and Photographs’, The Print Collector’s Newsletter, July-August 1993
Faye Hirsch, ‘Catherine Lee at Galerie Lelong’, Art in America, September 1993
Daniel Kurjakovic, ‘Frischer Wind von Westen’, Zurichsee-Zeitung, Sept 11, 1993
Judith Trepp, ‘Zurich, 5 One man Shows’, Art News, January, 1994
‘La Differenzia Tra i Sesi Nell’Arte’, Tema Celeste, winter 1994
Marsha Miro, ‘Painting and Sculpture’, Detroit Free Press, March 11, 1994
David Carrier, ‘Studio: Catherine Lee’, Sculpture, November 1994
Eva Pohl, ‘Infinity in Perspective’, Berlingske Tidende, January 20, 1995
Oystein Hjort, ‘Between Sculpture and Painting’, Politiken, København, February 3, 1995
Marjaana Toiminen, ‘Retretin Kesa: U. S. Print’, Grafiikanlehti, Finland, May 23, 1995
Helmut Friedel, ‘Color is Indeed a Body’, pub. Mizuma Gallery, Tokyo, 1995 (catalog)
‘Catherine Lee’, Sankei, Tokyo, December 31, 1995
Eleanor Rait, Recent Acquisitions 1991-1995, pub. Hofstra Museum, 1995 (catalog)
Alicia Faxon, ‘Figuration Forward’, Art New England, June-July 1996
Pepe Karmel, The New York Times, January 5, 1996
Wolfgang Richter, ‘Im Dialog der Elemente das Maß feiner Poesie’, Salzburger Nachrichten, April 18, 1996
Dan R. Goddard, San Antonio Express-News, April 28, 1996
Catherine Lee, Galerie Academia, Salzburg 1996 (catalog)
Geijutsu Shincho, edition #2, Tokyo, 1996
Carter Ratcliff, ‘The Art of Catherine Lee’, Catherine Lee: the Alphabet Series, pub. Pamela Auchincloss, NYC, 1997 (catalog, 1st edition)
Faye Hirsch, ‘Placing Memory : Catherine Lee’s Alphabet’s Series’, Catherine Lee: the Alphabet Series, pub. Pamela Auchincloss, NYC, 1997 (catalog, 1st edition)
Sandy Thompson, ‘Catherine Lee’, Artweek, Jan 1998
Von Renate Roos, ‘Die Zeit steht heir still’, Kolner Stadt - Anzelger, February 7-8, 1998
Dan O’Kane, ‘Catherine Lee from A to Z’, the Reader, March 5, 1998
Gallery Kasahara 1972 - 1997, pub. Kasahara, Osaka, 1998 (catalog)
Kyle MacMillan, ‘Artistry in Bronze’, Sunday World Herald, April 5, 1998
Jurgen Raap, ‘Catherine Lee’, Kunstforum, International, April - June 1998
Elena Di Raddo, ‘Catherine Lee’, Tema Celeste, March - April 1998
Gudrun Schmidt-Esters, ‘Steinzeitliche Grube’, Keramic Magazin, April 1998
Catherine Lee, ‘The Making of the Thing’,Tema Celeste, October-December 1998
Graham Shearing, ‘Collaboration’, Pittsburgh Tribune-Review, November 1, 1998
David Carrier, Garner Tullis and the Art of Collaboration, 1998
Robert C. Morgan, ‘Catherine Lee: Sentinels’, Review, September 1999
Kenneth J. Endick, ‘Elemental Art’, Express-Times, Easton, PA, September 24,1999
Helmut Friedel and Ulrich Wilmes, Das Gedächt öffnet seine Tore; die Kunst der Gegenwart im Lehbachhaus München, pub. Hatje Cantz Verlag, 1999 (catalog)
Carter Ratcliff, ‘The Art of Catherine Lee’, Catherine Lee: the Alphabet Series, pub. University of Washington Press, NYC, 1999 (catalog, 2nd edition)Faye Hirsch, ‘Placing Memory : Catherine Lee’s Alphabet’s Series’, Catherine Lee: the Alphabet Series, pub. University of Washington Press, NYC, 1999 (catalog, 2nd edition)
Hearne Pardee, ‘New York Reviews: Catherine Lee’, Artnews, October 1999
Lance Esplund, ‘The More the Merrier’, Modern Painters, Winter 1999
Johnathan Goodman, ‘Catherine Lee’, Sculpture Magazine, January 2000
Enrique Juncosa, ‘Choreography and Metal’, Catherine Lee, Galleria Carles Tache, Barcelona, 2000 (catalog)
Lily Wei, ‘Catherine Lee’, Tema Celeste, February 2000
Robert C. Morgan, Catherine Lee, Galerie Academia, Salzburg, 2000 (catalog)
Reena Jana, 'New York Reviews: Catherine Lee', Artnews, November 2004
Elizabeth Ferrer, ‘An Archaelogy of Form: Catherine Lee’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Francis Colpitt, ‘In the Realm of the Pictorial’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Catherine Lee, ‘On Things of Truth and Beauty’, Shards. The Work of Catherine Lee, Southwest School of Art & Craft, San Antonio, TX, 2004 (catalog)
Elaine Wolff, ‘Say It Again', San Antonio Current, Nov 11, 2004
Dan R. Goddard, 'Shards Recalls Remnants of Ancient Civilisations', San Antonio Express-News, Nov 29, 2004
Nancy Princenthal, 'Catherine Lee', Art in America, December 2004
Catherine Lee , The Irish Museum of Modern Art, Dublin; hardcover, pub. Charta Art Books, Milan, 2005; forward by Enrique Juncosa, texts by Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal
Catherine Lee , Hôtel des Arts, Toulon; pub. Hôtel des Arts; Centre Méditeranéen d'Art, Conseil Général du Var, Toulon, France; 2006; textes de Gilles Altieri, Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal (catalog)
Catherine Lee , Musée d'Art Moderne de Saint-Etienne, pub. Musée d'Art Moderne de Saint-Etienne Métropole, Saint-Etienne, France; 2006; texts (in French and English) by Lorand Hegyi, Caoimhin Mac Giolla Leith, Nancy Princenthal(catalog)
Dutch Rall & Dominique Bellavia, InContext, KLRU-TV, PBS, Catherine Lee , September, 2007, http://youtube.com/watch?v=61xc_Bkkh24, or www.incontext.tv
Benjamin Genocchio, The New York Times, December 21, 2007
Jerry Saltz, Catherine Lee, Critic's Pick, New York Magazine, January 8, 2008
Rachel Cook, Catherine Lee, Moving Fluidly through the Lanscape, The Austin Chronicle, January 18, 2008
‘Catherine Lee’, the New Yorker, January 20, 2008 (listings)
‘Catherine Lee / Bodo Korsig at the d berman gallery’, The Austin American Statesman, February 16, 2008
Jeanne Claire van Ryzin, ‘Three Questions with Catherine Lee,’ XL ENT, the Austin American-Statesman, February 21, 2008, http://www.austin360.com/arts/content/arts/stories/xl/2008/02/0221xlthree.html
Suzanne Russell, online interview, www.kopenhagen.dk, April 1, 2008
Stephen Westfall, ‘Catherine Lee’, Art in America, September 2008
Carla Esposito Hayter, ‘The Monotype, The History of a Pictorial Art’, pub. Skira, Milan, 2007, (pp. 24, 206-207)
Kathleen Whitney, ‘Catherine Lee, the Clad Works,’ pub. Annely Juda Fine Art, London, 2008 (catalog)
repeated metal other repeated small bronzes standing bronzes works on paper raku & ceramics
paintings galleries bibliography biography • home •